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Cagliostro es una novela-film del escritor chileno Vicente Huidobro, basada en las películas expresionistas alemanas plagadas de monstruos y formas siniestras. El guión fue probablemente filmado en la primavera de 1923, aunque no hay noticias de su estreno ni se ha encontrado la película. Huidobro, influido por el cine y consciente de las posibilidades técnicas que “el nuevo arte” podía ofrecer...

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Adverse Winds (Vientos contrarios) is a collection of essays, aphorisms, and observations, published by Huidobro in Santiago in 1926, after many years in Europe. At this remove it is perhaps difficult to grasp that in 1926, Vicente Huidobro (1893-1948), who had cut something of a swathe through literary Paris - albeit not quite as thorough a swathe as he would sometimes have us believe - was almost unknown back home in Santiago. He had publis...

Satyr is Huidobro's last novel, published in Santiago in 1939, at a time when little of his work was in print in his native land. While that situation would be rectified two years later, with the release of two major poetry collections, this volume is his final work in prose, and one that has mostly escaped attention since. Closer examination of the text reveals however that it contains a number of the author's literary, social, political and ...

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Adán, published in 1916, is Huidobro's earliest mature work and his first attempt at free verse. While still full of rhetorical gestures from his previous symbolist (or modernista) style, heavily influenced by Rubén Darío, the book shows the author moving into very new territory, if at this stage not fully able to cast off his previous allegiances. It is fair to say that the book would today be forgotten, were it not for the author's spectacul...

Chilean poet Vicente Huidobro's el creacionismo ("Creationism")-conceived circa 1912-holds that a new object of the imagination is universally translatable because its substance is free of all laws that would otherwise govern its meaning. Transnational, multilingual, extradisciplinary-el creacionismo fomented a body of work that remains essential to understanding the poet's visionary, disruptive role in a world increasingly destabilized by the...

The poems here were composed 1924-1934, and come from the heated period in which Altazor and Skyquake had germinated, but were only published in 1941, in Santiago, part of a summing-up by the author of his life's work.

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In 1931, while on holiday in Arcachon, Huidobro and the Franco-German artist and writer, Hans (Jean) Arp together wrote Tres novelas exemplares (Three Exemplary Novels - no doubt a reference to the Exemplary Novels by Cervantes, to which of course they bear no resemblance at all), a set of wild quasi-surrealist "stories". In 1932, Huidobro offered the set to a publisher in Barcelona, but was told that the book was too short. Accordingly he wro...

Before attaining his poetic maturity - and this would be through poems written mostly in Spanish - Huidobro wrote these two collections in French and published them in Paris in 1925, the same year that a volume of his manifestos appeared (see below). The two books have never been republished in France and have likewise not been published in Spanish translation other than in collected editions of the author's works. While they are in some respe...

In 1925, Huidobro published this collection of manifestos to consolidate his position in the avant-garde in the face of the burgeoning new Surrealist movement and also as a reaction to attacks from one Spanish critic in particular, a member of the Ultraist movement, who seemed to want to establish the Spanish avant-garde as an independent force, free of the influence of this loud, self-confident Chilean. The book appeared in the same year that...

Cagliostro is a lurid tale of magic and secret societies during the reign of Luis XVI, centred on the gure of the Italian occultist Giuseppe Balsamo, known under his alias of Count Alessandro di Cagliostro. The book owes its style of presentation to the example of German expressionist cinema, of the kind exemplified by The Cabinet of Dr Caligari.In the early s, Vicente Huidobro-always fascinated by the new medium of film-wrote a script on the ...

This selected edition presents an overview of all of Huidobro's work, from 1914 until 1948, when his final, posthumous volume was published, moving from the early symbolist work, though the high avant-garde phase towards the end of the First World War, then through Altazor and Temblor de cielo, the highpoint of his career (both published in 1931), and on into the quieter late poetry which synthesises the previous work and settles down into a p...